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Annotation:Three Coney Walk: Difference between revisions

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''Coney'' refers to a hare or rabbit; thus New York City's Coney Island was an island once known for its abundance of wild rabbits.
''Coney'' refers to a hare or rabbit; thus New York City's Coney Island was an island once known for its abundance of wild rabbits. However Three Coney Walk was a country lane in Lambeth, near Lambeth Wells, a place of mineral wells around which public entertainments grew up, with a "Great Room" for music and dancing opening before 1697.  Later Three Coney Walk became known as Lambeth Walk.  
|f_printed_sources=Knowles & McGrady ('''Northern Frisk: A Treasury of Tunes From North West England'''), 1988; No. 16. John Young
|f_printed_sources=Knowles & McGrady ('''Northern Frisk: A Treasury of Tunes From North West England'''), 1988; No. 16. John Young ('''Third Volume of the Dancing Master'''), 2nd edition, c. 1726; p.
}}
}}

Revision as of 01:00, 21 December 2020


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Sheet Music for "Three Coney walk, or.... PFD3.193"Three Coney walk, or.... PFD3.193Number Three. PFD3.193= 100Da CapoThe first strain twice, and the last but once, then each strain once over again, then the first once again.Then the same all over againThe first Man cast off, and turn the third Woman, and cast up into his own place again.| Thefirst Woman cast off and turn the third Man:| And fall in the middle of the third Couple: And[?] first Man between the second Couple: Then take Hands and meet all six abreast and the first Manturns his Partner.| Then the first Man turns the third Woman with his Right-hand, and the Wo.turns the second Man at the same time; and then turn her Partner.| Then the first Man andWoman turn the other two, and turn his Partner, the first Couple cast up a top and Right-handsand left half round into the second Couples place.Book: Playford, Dancing Master Vol 3, 2nd Ed, c1726Transcription: vmp.Ruairidh Greig 2015 www.village-music-project.org.uk
X: 1 T:Three Coney walk, or.... PFD3.193 B:Playford, Dancing Master Vol 3, 2nd Ed, c1726 Z:vmp.Ruairidh Greig 2015 www.village-music-project.org.uk T:Number Three. PFD3.193 M:6/8 L:1/8 Q:1/4=100 K:D D>ED A2A|d>edc3|B>cB A>BA|G>AG F2G| ADD BDD|ADD BDD|ADD B>cd|E3DD2|| g>ag f>gf|e>fec2d|e>dc B>cd|B2A A2A| dAA eAA|fAA gAA|aAA gAA|"Da Capo"f>gfe3|] W:The first strain twice, and the last but once, then each strain once over again, then the first once again. W:Then the same all over again W:The first Man cast off, and turn the third Woman, and cast up into his own place again.| The W:first Woman cast off and turn the third Man:| And fall in the middle of the third Couple: And W:[?] first Man between the second Couple: Then take Hands and meet all six abreast and the first Man W:turns his Partner.| Then the first Man turns the third Woman with his Right-hand, and the Wo. W:turns the second Man at the same time; and then turn her Partner.| Then the first Man and W:Woman turn the other two, and turn his Partner, the first Couple cast up a top and Right-hands W:and left half round into the second Couples place.



THREE CONEY WALK. AKA - "Number Three." English, Jig (6/8 time)D Major. Standard tuning (fiddle). AABB. "Three Coney Walk; or, Number Three" was printed by London music publisher John Young in the Third Volume of the Dancing Master (2nd edition, c. 1726), along with directions for a country dance. It was also printed by rival London music publisher John Walsh in his Third Book of the Compleat Country Dancing-Master (editions of 1745 and 1754). London musician Thomas Hammersley entered it into his c. 1790 copybook as well.

Coney refers to a hare or rabbit; thus New York City's Coney Island was an island once known for its abundance of wild rabbits. However Three Coney Walk was a country lane in Lambeth, near Lambeth Wells, a place of mineral wells around which public entertainments grew up, with a "Great Room" for music and dancing opening before 1697. Later Three Coney Walk became known as Lambeth Walk.


Additional notes



Printed sources : - Knowles & McGrady (Northern Frisk: A Treasury of Tunes From North West England), 1988; No. 16. John Young (Third Volume of the Dancing Master), 2nd edition, c. 1726; p.






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