Annotation:Del Caro's Hornpipe

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X:1 T:Del caro's Hornpipe M:C| L:1/8 R:Country Dance B:Preston's Twenty-Four Country Dances for the Year 1796 Z:AK/Fiddler's Companion K:A Acea gfef|edcB cd e2|Acea gfed|cBAG A4:| |:Acea (f/g/a) a2|EGBd (c/d/e) e2|Acea (f/g/a) a2|edcB A2 A,2:|]

DEL CARO'S HORNPIPE. AKA and see "Early One Morning," "Madame Del Caro's Hornpipe," "Many be the happy days that we may pass together." Irish, English; Hornpipe. G Major: A Major [Kershaw]. Standard tuning (fiddle). AABB. Maria del Caro was a famous dancer of the late 18th, early 19th centuries, first appearing in England at Covent Garden in 1790. She is credited in ballet circles with being one of the first to wear slippers made expressly for dancing. Del Caro (whose given name was Marie) danced in Dublin during the next two years, where Grattan Flood records: "she captivated the citizens by her dancing of the hornpipe, to which she gave her name, and which long continued a favorite." Later in the 1790's she was joined in London by her sister, also an accomplished dancer and also confusingly referred to as "Madame Del Caro."

John Field (1782-1837)

The tune was the first published composition of a very young John Field (1782-1837), an Irish pianist and composer, a pupil of Clementi, who spent much of his mature life in Russia. "Del Caro's Hornpipe", written when he was aged 15, was published by London publisher Broderip in 1797 (as "Del Caro's Hornpipe with Variations"). It subsequently appeared in a number of dance collections and instrumental tutors through the early decades of the 19th century, including Edward Riley's Flute Melodies vol. 1 (New York, 1814), Wilson's Companion to the Ball Room (London, 1816), and Cahusac's Compleat Tutor for the German Flute (London, 1798), among others.

The tune is contained in the 19th century Joseph Kershaw Manuscript. Kershaw was a fiddle player who lived in the remote area of Slackcote, Saddleworth, North West England, who compiled his manuscript from 1820 onwards, according to Jamie Knowles. There is a "Madame Del Caro's Hornpipe" in the William Mittell manuscript (1799). The tune was entered (as "Madam Dull Cures Hornpipe") in the mid-19th century music manuscript of William Winter[1], a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England. County Leitrim fiddler and piper biography:Stephen Grier (c. 1824-1894) also included an untitled version in Book 3 of his c. 1883 music manuscript collection.

Additional notes
Source for notated version : - Joseph Kershaw music manuscript collection (North West England) [Knowles].

Printed sources : - Knowles (The Joseph Kershaw Manuscript), 1993; No. 42. Preston (Preston's Twenty-Four Country Dances for the Year 1796), 1796. Wilson (Companion to the Ball Room), 1816; p. 132. Geoff Woolfe (William Winter’s Quantocks Tune Book), 2007; No. 205, p. 78 (as "Madam Dull Cures Hornpipe", ms. originally dated 1850).

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