Gilderoy (1)

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 Theme code Index    113b3b 5543b
 Also known as    Gilder Roy, Guilderoy
 Composer/Core Source    
 Region    Scotland, United States
 Genre/Style    Contra, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Hornpipe/Clog, Reel (single/double)
 Key/Tonic of    A
 Accidental    NONE
 Mode    Aeolian (minor)
 Time signature    4/4, 2/2
 Structure    AABB, AABBCCDD
 Editor/Compiler    Biography:William Thomson
 Book/Manuscript title    Book:Orpheus Caledonius vol. 2
 Tune and/or Page number    No. 47, p. 193
 Year of publication/Date of MS    1733
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Score   (1)   

X:1 T:Gilderoy [1] M:C L:1/8 R:Air B: William Thomson - Orpheus Caledonius, vol. II (1733, No. 47, p. 193) B: N:Thomson (c. 1695-1753) was a Scottish singer and folk song collector N:who lived in London for most of his adult career. Z:AK/Fiddler’s Companion P:Vocal setting: K:Amin A^GA B cB c d |{cd}e2 dc d2 cd|{cd}e2G2 cA GE|G6 cB| A^G AB cB cd|e2 dc d2e2|c2 BA AG EG|A6|| ef|g3a g2 fe|fe dc d2 cd|{cd}e2G2 {AB}c2 GE|G6 cB| A^G AB cB cd|e2 dc d2e2|c2 BA AG EG |A6||

X:1 T:Giolla ruaidh T:Gilderoy [1] M:C L:1/8 B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The B:McFarlane Manuscript (c. 1741, No. 226, p. 273) F: N:The Society of Antiquaries of Scotland K:Amin E2|A2 AB c2 cd|(c/d/e) (dc) d2 (cd)|(c/d/e)G TG3E|G3e Td3c| A3^G ABcd|e2 (dc) d2 =(gf)|edce dcBc|{B}A4 A2:| |:ef|{ef}g3 a gage|fedc d2 (cd)|(c/d/e) G2 GAGE|GEGA Gedc| A_BAG ABcd|edec da=gf|edce dcBc|{B}A4 A2:|]

X:1 T:Gilderoy [1] M:C L:1/8 Q:"Slow" R:Air B: Robert Bremner – Collection of Airs and Marches for Two Violins or German Flutes (c. 1756-61; No. 46, p. 53) F: Z:AK/Fiddler’s Companion K:Amin V:1 E2|A2 A>B c>Bc>d|{cd}e2 dc d2 c>d|{cd}e2 G2 (c<A) (G<E)|G6 (cB)| (A^G)AB (cBc)d|(e>d)(e>f) e2 (ag)|(fe)(dc) TB3A|A6:| |:e>f|g>fg>a g2 (fe)|{de}fedc d2 c>d|{ef}g2G2 (3cBA (3GFE|G6 cB| (A^G)AB (cBc)d|(e>d)(e>f) e2 ag|(fe)(dc) TB3A|A6:| V:2 z2|z2E2A2 A>B|{AB}c2 BA G2G2|c2E2F2 E[CG]|G6z2| z2 cB (A^GA)B|(c>B)(c>d) c2 (FE)|D2D2 E2E2|A6:| |:c>d|e>de>f e2 Tdc|dcBA G2G2|c2E2 F2 E[CG]|G6 z2| z2 cB (A^GA)B|(c>B)(c>d) c2 FE|D2D2 E2E2|A6:|

X:1 T:Gilde Roy T:Gilderoy [1] M:C L:1/8 R:Air B:Oswald – Caledonian Pocket Companion, Book V (1760, p. 20) Z:AK/Fiddler’s Companion K:Amin E2|A3B (c>B)(c>d)|{cd}e2 Td>c d2 c>d|{cd}e2 G2 (c<A)(TG>E)|{E}G6 (cB)| (A^GAB) (cBcd)|{cd}e2 {e}d>c d2 g>f|(e2 d>)c TB3A|A6:| |:e>f|g3a g2 (fe)|{de}fe{e}dc d2 c>d|{cd}e2G2 (cA/c/) {A}GE|G4 z2 c>B| A3B cB (cd/e/)|(g<e) Td>c d2 a>g|{g}fe{e}dc TB3A|A6:| |:E2|(A^GAB) (cBc)d|(ed/e/) (g/e/d/c/) d2 (c>d)|{cd}e2 G>F (E/G/A/B/ c/G/c/E/)| {D}(G3A) G2 (c>B)|A(B/^G/) AB c(d/B/) cd|(e<g) T(d>c) d2 g>f| e(d/e/) {g}f(e/d/) c2 TB>A|A3B A2::(e>f)|(ge) (c'a) {a}g3 (f/e/)|(d/e/g/e/) {e}dc d2 (c>d)| (e/d/c/e/) (d/c/A/d/) (c/A/G/A/) cE|G3A G2 (c>B)|A(B/^G/) AB c(d/B/) cd| (ed)ef (ea^g)a|f(e/d/) (e/A/d/B/) c2 T(B>A)|(A3B) A2:| M:6/8 L:1/8 P:"Jigg - Brisk" E|AEA ABc|TB3 Eed|cBA fdB|{A}^G3 zzB| cGc e3|geg c'3|edc GcB|(c3 c2):| |:(e/f/)|gec a3|fdB g3|ecA fdB|{A}^G3 z zE| FDF E2a|F3E2e|cBA E2^G|(A3 A2):|]

X:2 T:Gilder Roy T:Gilderoy [1] M:C L:1/8 R:Air Q:"Slow" S:McGibbon - Scots Tunes, book III, p. 70 (1762) Z:AK/Fiddler's Companion K:Amin E2 | A2 A>B c>Bc>d | {c/d/}e2 T(d>c) (d>e) (c>d) | {c/d/}e2G2 c<AG<E |G6 T(cB)| (A^G)AB (cBc)d | (e>d)(e>f) e2 (ag) | (fe)(dc) TB3A | A6 :| |: (e>f) | (g>f)(g>a) g2 T(f>e) | {d/e/}(fe)(dc) d2 c>d | {c/d/}e2G2 (c/4B/2<A) (G/4F/2<E) | (G4G2) T(cB) | (A^GA)B (cBc)d | (e>d)(e>f) e2 (ag) | (fe)(dc) TB3A | A6 :||

X:1 T:Guilderoy [1] M:C L:1/8 R:March S:Thomas Nixon Jr./Joseph Long copybook (c. 1776-78) Z:AK/Fiddler’s Companion K:Amin E2|A2 A>B cBcd|e2 dc d2 cd|e2A2 cA G>E|G2G2 G<G cB| A>G AB cBcd|edef e2 ag|fe dc B2c2|A2 A>A A2:| |:e/f/|g>f g>a g2 fe|f>e dc d2 (3Bcd|e2A2 cA G>E|G2 G2 G<G cB| A>G AB cBcd|e>d ef e2 a>g|f>e d>c B2c2|A2 A>A A2:|]

X:1 T:Gilder Roy [1] M:C L:1/8 R:Air Q:"Slow" B:Edward Riley - Riley's Flute Melodies vol. 1 (N.Y., 1814; No. 20) Z:AK/Fiddler's Companion K:Amin E2|A2 (A>B) (c>B)(c>d)|{cd}e2 (d>c) d2 (c>d)|e2G2 (c<A) (G<E)|G6 (cB)| (A^GA).B (cBc).d|e>d e>f e2 (ag)|(fe) (dc) B3A |A6:| |:(e>f)|(g>f)(g>a) g2 (f>e)|(fe) (dc) d2 (c>d)|{cd}e2 G2 (c/B<A) (G/F<E)|G4-A2 cB| (A^GA).B (cBc).d|e>d e>f e2 (ag)|(fe)(dc) B3A|A6:|

X:1 T:Guilderoy [1] M:C L:1/8 B:Howe - Musician's Omnibus No. 1 (1862, p. 43) Z:AK/Fiddler's Companion K:Amin E2|A2 AB cBcd|efec d2 cd|edcB ABcA|B^GEE E2 EG| A^GAB cBcd|efec d2 cd|ea^ga edcB|c2A2A2:| |:e^f|g3a gfe^f|gfec d2 cd|edcB ABcA|B^GEE E2 EG| A^GAB cBcd|efec d2 cd|ea^ga edcB|c2A2A2:|]

X:1 T:Gilderoy [1] M:C L:1/8 R:Reel S:Philip Carolan music manuscript collection N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate N:farmer and fiddler who compiled his ms. probably during 1863-1873. S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, S:2007, p. 35. Carolan ms. 1, No. 99. K:Bm F|{c}B>^ABc {e}(dcde)|{g}f2 ed {f}e2 d>e|{de}f2A2 (d<B) (A<F)|{B}A6 d>c| {c}B>^ABc {e}(dcde)|{g}fefg !fermata!f2 !fermata!bg|{a}gfed d2 Tc>d|B6:| |:(f>g)|a>gab a2 g>f|{a}(gf)ed {f}e2 d>e|{de}f2A2 (d/c/).B (A/G/).F|A6 {e}d>c| {c}B>^A B>c {e}(d>c d>e)|{g}fefg !fermata!f2 !fermata!b>a|{g}gfed d2 Tc>B|B6:|]

X:1 T:Guilderoy Reel T:Gilderoy [1] M:C L:1/8 R:Reel B:Robbins Collection of 200 Jigs, Reels & Country Dances (NY, 1933, No. 131, p. 42) Z:AK/Fiddler's Companion K:Amin E2|A2 AB cBcd|efec .d2 cd|edcB ABcA|B^GE.E .E2 EG| A^GAB cBcd|efec d2 d|ea^ga edcB|c2A2A2:| |:e^f|g3a g^fef|g=fec d2 cd|edcB ABcA|B^GE.E E2 EG| A^GAB cBcd|efec d2 cd|ea^ga edcB|c2A2A2:|]

X:1 T:Gilderoy [1] M:C| L:1/8 R:Hornpipe K:Amin E2 | A2 AB cBcd | efec d2 cd | edcB ABcA | B^GEE E2 EG | A^GAB cBcd | efec d2 cd | ea^ga edcB | c2A2A2 :| |: ef | g2 ga gfef | gfec d2 cd | edcB ABcA | B^GEE E2 EG | A^GAB cBcd | efec d2 cd | ea^ga edcB | c2A2A2 :||

X:1 T:Untitled T:Red Haired Boy T:Gilderoy [2] M:C| L:1/8 N:An untitled tune from an August 24, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that N:consisted of Acadian, Irish, American and French-Canadian tunes. D: F:UGA Brown Media Archives: identifier artrosen_0056 (Track 1 -23:56 on the tape) Z:Transcribed by Andrew Kuntz K:Amix EAAA A2cd|eaec ddgf|e2AA d(B{c}B)A|GFEF G2FG| EAAA ABcd|e(f/g/ f/e/c) d2cd|"*"ef(g/f/e) faed|cA(B/c/B) A2 A2 :|| a2 ab ageg|bgec d2gf|eAAA d(B{c}B)A|GFEF G(G{A}G/F/G)| A2 ab ageg|bgec d2gd|ef{a}ge (3fgf ed|1cA(B/c/B) A2 A2 :|2ceB2 A2{B}AA:| P:B' eaea a2 eg|bbec d2gf|eAAA d(B{c}B)A|GFEF G3G|| A2ag a2ea|abec d2cd|ef(g/f/e) faed|cA(B/c/B) A2A2|| P:Substitutions "*"ef(g/f/e) afed|cABB A2A2||