John Patterson's Mare

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 Theme code Index    31H31H 31H31
 Also known as    Black and the Brown (2) (The), Black and the Grey (The), Horseman's Port (The), Black and the Brown (2) (The), John Paterson's Mare, John Patterson's Mare Goes Foremost, John Patterson's Mare Goes Forewort, New Market Jig, Newmarket Horse-Race, Làir Iain Ic. Phàdrig
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    Northumbrian/Borders, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Jig/Quadrille
 Key/Tonic of    F
 Accidental    1 flat
 Mode    Ionian (Major)
 Time signature    6/8
 History    ENGLAND(North East)
 Structure    One part
 Editor/Compiler    
 Book/Manuscript title    
 Tune and/or Page number    
 Year of publication/Date of MS    
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:New Market, or John Paterson's Mare goes Foremost M:6/8 L:1/8 R:Jig S:Gow - 2nd Repository (1802) Z:AK/Fiddler's Companion K:F c/B/|AFA f2c|AFA f2c|AFA fcB|A3 F2A| BGB g2d|BGB gdc|B3 G2 c/B/|AFA f2c| AFA f2c|AFA fcB|A3 FGA|B>AB c>Bc| d>Bd e>de|f>ed gdc|B3G2||c|A/B/cF A/B/cF| A/B/cF A/B/cF|A/B/cF fcB|A3F2c|B/c/dG B/c/dG| B/c/dG B/c/dG|B/c/dG gdc|B3 G2B|A/B/cF A/B/cF| A/B/cF A/B/cF|A/B/cF fcB|A3 FGA|B>AB c>Bc| d>Bd e>de|f>ed gdc|B3G2||c|AFA f2c|f/g/a/g/f/e/ f2c| f/g/a/g/f/e/ fcd|~A3 F2A|BGB g2d|=e/f/g/f/e/d/ g2d| =e/f/g/f/e/d/ gdc|B3G2c|AFA f2c| f/g/a/g/f/e/ f2c| f/g/a/g/f/e/ fcf|~A3 FGA|B>AB c>Bc|c>Bc e>de| f>ed gdc|B3G2||c|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f/g/a/g/f/e/| f/g/ag/f/e/ fcd|A3Fd2|g/a/_b/a/g/^f/ g/a/b/a/g/f/| g/a/_b/a/g/^f/ g/a/b/a/g/f/| g/a/_b/a/g/^f/ gdc|B3G2c|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ fcf| A3 FGA|B>AB c>Bc|d>Bd e>de|f>ed gdc|B3G2||


X:1 T:Engagement Begins, The T:John Patterson's Mare Goes Foremost M:6/8 L:1/8 R:Air Q:"Spirited" N:”A Highland Battle Piece, or Seige of Kildrummie; N:Partly composed, the whole arranged, and inscribed N:to the memory of Sir William Wallace, the Scottish N:Champion, by James Davie.” N:See also “Quick Step towards the Enemy,” “Address to N:the Army,” “War Song (The),” ”Pibroch of Victory.” B:Davie’s Caledonian Repository (Aberdeen, 1829-30) Z:AK/Fiddler’s Companion K:D A|F>ED D<A,D|F>ED D<AD|F>ED d<AG|TF3 (E2F)| G>FE E<B,E|G>FE E<B,E|G>FE e<BA|G3 T(F2E)|| FDF d2A|B/c/d/c/B/A/ d2A|B2A B/c/d/B/A/G/|TF3(D2F)| G<EB e2B|e/f/g/f/e/^d/ e2B|e2B e/f/g/e/B/A/|G3 T(F2E)|| F<DF d2A|d/e/f/e/d/c/ d2A|d2AB/c/d/B/A/G/|TF3 (D2F)| E<ee g2e|f>ed e<ag|f>ed e<ag|Tf3 {ef}d2|| a/g/|f>ed d2e|f/g/a/g/f/e/ d2A|B2A B/c/d/B/A/G/|TF3 (D2F)| "faster"G<EE B<EE|d<EE B<E|G<EE B<EE|e<EE B<EE| F<DD A<DD|d<DD A<DD|A<DD d<AG|TF3 (D2F)| G<EE B,<EE|G<EE B,EE|G>AB e<BA|G3 TF2A/G/| F<DD A,<DD|F<DD A,<DD|F<DD d<AG|TF3(D2F)| G<EE e2B|e/f/g/f/e/^d/ e2B|c/^d/e/d/c/B/ c/d/e/c/B/A/|G3 T(F2E)|| D/D/D/D/d F<Fd|D/D/D/D/d F<Fd|D/D/D/D/d F/F/F/F/d|A/A/A/A/d F/F/F/F/d| E/E/E/E/e G<Ge|E/E/E/E/e G<Ge|E/E/E/E/e G/G/G/G/e|B/B/B/B/e G/G/G/G/e|| FD/D/D A,D/D/D|FD/D/D A,D/D/D|fD/D/D dA/A/A|F/G/A/G/F/E/ D/E/F/G/A/F/| GE/E/E B,E/E/E|GE/E/E B,E/E/E|GE/E/E eB/B/B|G3 (F2E)|| Dd/d/d Fd/d/d|Dd/d/d Fd/d/d|Dd/d/d Fd/d/d|F/E/D/E/F/G/ B/A/G/F/E/^D/| Ee/e/e Ge/e/e|Ee/e/e Ge/e/e|Be/e/e gB/B/B|g3T(f2e)|| d/D/D/D/D/D/ A,/D/D/D/D/D/|F/D/D/D/D/D/ A,/D/D/D/D/D/|F/D/D/D/D/D/ A/D/D/D/D/D/| d/e/f/e/d/c/ B/c/d/c/B/A/|G/E/E/E/E/E/ B,/E/E/E/E/E/|G/E/E/E/E/E/ B/E/E/E/E/E/| e/E/E/E/E/E/ B/E/E/E/E/E/|G/A/B/A/G/F/ E/F/A/G/F/E/|| P:The Enemy Flies and is Pursued D/d/d/d/d/d/ f/A/a/A/g/A/|f/d/d/d/d/d/ f/A/a/A/g/A/| f/g/a/g/f/e/ d/e/f/e/d/c/|B/c/d/c/B/A/ G/A/B/A/g/F/| E/e/e/e/e/e/ g/e/b/e/a/e/|g/e/e/e/e/e/ g/e/b/e/a/e/| g/a/b/a/g/f/ e/f/g/f/e/d/|c/d/e/d/c/B/ A/B/A/G/F/E/| D/d/c/B/A/G/ F/B/A/G/F/E/|D/f/e/d/c/B/ A/B/c/d/e/f/| g/A/g/A/f/A/ e/A/e/A/f/A/|g/A/g/A/f/A/ e/f/a/g/f/e/| d/e/f/e/d/A/ d/e/f/e/d/A/|a/g/f/e/d/c/ B/A/G/F/E/D/| e/f/g/f/e/B/ e/f/g/f/e/B/|b/a/g/f/e/d/ c/B/A/G/F/E/| P:Pursuit Ended "Slower"F>ED D<A,D|F>ED D<A,D|F>ED d<AG|F3 T(E2D)| "Slower to the pause"G>FE E<B,E|G>FE E<B,E|G>FE e<BA|G3 T(F2!fermata!E)||


X:1 T:Làir Iain Ic. Phàdrig T:John Paterson’s Mare M:C L:1/8 R:Jig B:William Gunn - The Caledonian Repository of Music B:Adapted for the Bagpipes (Glasgow, 1848, p. 49) Z:AK/Fiddler’s Companion K:G e|BGG d2G|BGG d2G|BGB ded|BB2 G2d| cAA eAA|fAA e2A|cAc efe|c3 g3| BGG d2G|BGG d2G|BGB ded|B B2 G2a| ece dBd|cAc BGB|A<Ae efe|c3 A2|| e|BGB g2a|gfe g2e|def g2d|B B2 G2B| AAA a3|gfe g2a|ece eae|c3 A2e| BGB g2a|gfe g2e|def g2d|BB2 G2a| ece dBd|cAc BGB|A<Ae efe|c3 A2||


X:1 T:John Peterson's Mare gangs foremost M:C L:1/8 B:James Hoseason music manuscript, Yell, Shetland, 1862 Z:AK/Fiddler's Companion K:G (A/c/)|BG/G/ dG/G/ BG/G/ dG/G/|BG/G/ dG/G/ B3 (G/B/)|cA/A/ eA/A/ cA/A/ eA/A/| cA/A/ eA/A/ c3 d/c/|BG/G/ dG/G/|BG/G/ dG/G/|BG/G/ dG/G/ B3 (A/B/)|| Ge ga g/d/e (gd)|(e/d/e) gd B2 (AG)|Aaaa (3aba ag|(3ede ga (g/a/b/)(g/f)| (3e-d.e ga (3gde gd|(3e-d.e gd B3(A/G/)|BA/A/ eA/A/ BA/A/ eA/A/|(3BBd gd c3A||


X:1 T:Newmarket Horse-Race: or, John Paterson's Mare Goes Foremost M:6/8 L:1/8 R:Jig B:Köhler’s Violin Repository, Book One (1881, p. 82) Z:AK/Fiddler's Companion K:F (c/B/)|AFA f2c|AFA f2c|FAF fcB|A3 F2A| BGB g2d|BGB g2d|BGB gdc|B3 G2c/B/| AFA f2c|AFA f2c|AFA fcB|A3 FGA| {Bc}B>AB {cd}c>Bc|{Bc}d>Bd {df}e>de|f>ed gdc|B3 G2!Fine!|| c|(A/B/)cF (A/B/)cF|(A/B/)cF (A/B/)cF|(A/B/)cF fcB|A3 F2c| (B/c/)dG (B/c/)dG|(B/c/)dG (B/c/)dG|(B/c/)dG gdc|B3 G2B| (A/B)cF (A/B/)cF|(A/B/)cF (A/B/)cF|(A/B/)cF fcB|A3 FGA| {Bc}B>AB {cd}c>Bc|{de}d>Bd {ef}e>de|f>ed gdc|B3 G2|| c|AFA f2c|f/g/a/g/f/e/ f2c|f/g/a/g/f/ fcd|A3 F2A| BGB g2d|e/f/g/f/e/d/ g2d|e/f/g/f/e/d/ gdc|B3G2c| AFA d2c|f/g/a/g/f/e/ f2c|f/g/a/g/f/e/ f(cf)|A3 FGA| {Bc}B>AB {cd}c>Bc|{de}d>Bd {ef}e>de|f>ed gdc|B3 G2|| c|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ fcf| A3 F2d|g/a/b/a/g/^f/ g/a/b/a/g/^f|g/a/b/a/g/^f g/a/b/a/g/f/| g/a/b/a/g/g/^f/ gdc|B3G2c|f/g/a/g/f/e/ f/g/a/g/f/e/| f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f(cf)|A3 FGA| {Bc}B>AB {cd}c>Bc|{de}d>Bd {ef}e>de|f>ed gdc|B3 G2!D.C.!:|]