Money in Both Pockets (1)

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Money in Both Pockets (1)

(The Traditional Tune Archive)   Browse Properties Browse/:Money in Both Pockets (1)
 Theme code Index   1H355 1H354H
 Also known as    Airgiod Ann Gac Pocad, Airgead in Gac Poca, Trip to Galloway (2)
 Composer/Core Source    
 Region    Canada, England, Ireland, Scotland, United States
 Genre/Style    Cape Breton/PEI, Contra, Irish, Northumbrian/Borders, Scottish
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    6/8
 History    ENGLAND(North West), CANADA(Maritimes/English)
 Structure    AB, AAB, AABB, AABBCC, AABBCCDD
 Editor/Compiler    Robert Petrie
 Book/Manuscript title    Collection of Strathspey Reels and Country Dances &c.
 Tune and/or Page number    p. 11
 Year of publication/Date of MS    1790
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 PDF Score    ("" is not recognized as a Boolean (true/false) value.)   


Money in Both Pockets (1): Annotations


X:1
%
T:Money in Both Pockets [1]
C:Trad., Irish?
S:Petrie's Collection of Strathspey Reels and Country Dances &c., 1790
Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 2/28/04
N:Petrie's First Collection, page 11
L:1/8
M:6/8
K:D
A | d2F FEF | ABA AGF | d2F TFEF | ABA  gfe |
d2F FEF | ABA AGF | EFE  EFA | BcTB B2 :|
|: A | dfa afd |cea ecA | dfa  afd | g3 f2g | 
agf bag | agf ede | fdB AFA | BcB B2 :|
z |: dcd dAF | ABA AGF | Tdcd  dAF | Aaf  gfe |
%Petrie omitted the 8th rest at the beginning of the above line -SW
dcd dAF | ABA AGF| E2E  EFA | BcB  B2z :|
%Petrie omitted the 8th rest at the end of the above line -SW
|: Tdcd afd | cea ecA | Tdcd  afd |Tgfg  f2g |
(f/g/af) (g/a/bg) | (f/g/af) ede | fdB AFA | BcB  B2z :|
%Petrie omitted the 8th rest at the end of the above line -SW
X:2
%
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Jig
N:Gow notes that when this tune is danced, the 2nd part is only played to 
N:the end of the eighth measure. 
B:Gow - Third Collection of Niel Gow's Reels (1792)
Z:AK/Fiddler's Companion
K:D
f|:{c}d2F TFEF|A2A AGF|{c}d2F TFEF|A3 gfe|{c}d2F {G}FEF|
A>BA {B}AGF|TE>FE EFA|TB3 {A/B/}ABc:||(df)a afd|(ce).a ecA|
(df).a afd|Tg3 {f/g/}f2 f/g/|{f/g/}a>gf {g/a/}b>ag|{f/g/}a>gf Te>de|
f<dB A<FA|TB3 d2A|df/g/a afd|(c/d/e/)f/^g/a/ (f/e/)(d/c/)B/A/|T(d/c/d/)e/f/g/ afd|
{a}gfg f2 f/g/|(a/g/)f/g/a/f (b/a/)g/b/a/g/|(a/g/)f/a/g/f/ {f}ede|f>dB A<FA|TB3 ABc||
X:3
%
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Jig
S:MacDonald - 3rd Collection of Strathspey Reels (c. 1792)
Z:AK/Fiddler's Companion
K:D
d2F TFEF | ABA AGF | d2F TFEF | A3 gfe | 
d2F FEF | ABA AGF | E2E EFA | B3B2A :|
|: dfa afd | cea ecA | dfa afd | Tg3 f2g | 
agf bag | agf ede | fdB AFA | B3B2A :|]
X:4
%
T:Money in both Pockets [1]
M:6/8
L:1/8
R:Country Dance
B:Preston's Twenty Four Country Dances for the Year 1793 
Z:AK/Fiddler's Companion
K:D
A|d2F FGF|ABA AGF|d2F FGF|ABA gfe|
d2F FGF|ABA AGF|EFE EFA|BcB B2:|
|:A|dfa afd|cea ecA|dfa afd|g3f2a|  
agf bag|agf ede|fdB AFA|BcB B2:|]
X: 5
%
T:Money in Both Pockets [1]
R:Jig
S:Rev. R. Harrison's MS, RH.103, c. 1815, Cumbria
O:England
A:Temple Sowerby, Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
K:D
|:A|d2F F>EF|ABA AGF|d2F F>EF|ABA gfe|!
d2F F>EF|ABA AGF|EFE EFG|BcB B2:|!
|:A|dfa afd|ceg ecA|dfa afd|(g3f2)a|!
agf bag|agf ede|fdB AFA|BcB B2:|
X:6
%
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Jig
B:J. Anderson - Anderson's Budget of Strathspeys, Reels & Country Dances 
B: for the German Flute or Violin (Edinburgh, 1820, p. 20)
Z:AK/Fiddler's Companion
K:D
A|d2F FGF|ABA AFA|d2F FGF|ABA f2e|
d2F FGF|ABA AGF|EFE EFA|B3 A2:|
|:B|dfa afd|cea ecA|dfa afd|(g3 f2)g|
agf bag|agf ede|fdB AFA|B3 A2:|]
X:7
%
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Air
Q:"Moderato"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 182, p. 93)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:G
d|(g2B) (BA).B|(d>ed) (dc).B|(g2B) (BA).B|(d>ed) (c'b).a|
(g2B) T(BAB)|(d>ed) (dcB)|(A>BA) (AB).d|(e>=fe) .e2:|
|:d|(gb).d' (d'b).g|(fa).d' (af).d|(gb).d' (d'b).g|c'3 b2.c'|
(d'c').b (e'd').c'|(d'c').b (ag).f|(gf).e (dB).d|(e>=fe) .e2:|]
X:1
%
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Country Dance Tune
B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 34)
Z:AK/Fiddler’s Companion
K:D
c|d2F F>GF|A>BA AGF|d2F F>GF|A3 gfe|
d2F F>GF|A>BA AGF|E>FE EFA|B3 A2:|
|:c|dfa afd|cea ecA|dfa agf|(g3 f2)g|
agf bag|agf ede|fdB AFA|B3 A2:|]
X: 8
%
T:Money in Both Pockets
M:6/8
L:1/8
R:Jig
B:T. Westrop's 120 Country Dances, 1860's, no. 91
Z:VMP-R.Greig 2010
K:D
c|+accent+d2F FEF|ABA ABc|+accent+d2F FEF|ABA gfe|
+accent+d2F FEF|ABA AGF|EFE FGA|BcBB2||
c|dfa afd|cea ecA|dfa afd|(g3f2)g|
agf bag|bgf ede|fdB AFA|BcBB2|]
X:9
%
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Jig
S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 35
Z:AK/Fiddler's Companion
K:C
G | c2E EDE | GAG GFE | c2E EDE | G2g fed | 
c2E EDE | GAG GFE | DED DEG| ABA A2 :|
|: G | ceg gec | Bdg dBG | ceg gec | f3 e2f | 
gfe agf | gfe dcB | cBA GEG | ABA A2 :|]

Money in Both Pockets (1): Annotations