Petronella
X:1 T:Petronella M:C| L:1/8 K:D F2AF E2AF|D2D2D2 FA|d2cd e2d2|cd Bc A2dA| F2AF E2AF|D2D2D2 FA|d2cd e2c2|d4 d2dA:| |:F2fd A2af|ga gf ed cB|A2ec A2ge|fa fd Ad AF| D2fd A2af|ga gf ed cB|A2ec Ag ec|d2f2d2 AG:|]
X: 1
T:Petronella
M:2/4
L:1/16
S:Wm Irwin, Folio MS, WI.094, c. 1850. AGG's Transcription
R:Country Dance
O:England
A:Lake District
Z:vmp.Chris Partington.2005
F:http://www.village-music-project.org.uk/abc/IRWIN.ABC
K:F
fc|A2(dB) G2cA|F2F2F2 A,C|F2(EF) G2(GF)|EFGE C2fc|!
A2(dB) G2cA|F2F2F2 A,C|F2EF G2E2|F4-F2||!
|:ec|A2af c2gb|b2bg ecBG|E2ge c2bg|a2af cfcA|!
F2af cfga|b2bg dBGD|E2ge dbge|1f2a2f2:|2fagf edcB|]
X:1
T:Persian Dance, for Petronella
M:2/4
L:1/8
R:Country Dance
B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 36)
Z:AK/Fiddler’s Companion
K:G
d/c/|BB/c/ AA/B/|GGG (A/B/)|{d}c/B/c/d/ e/d/c/B/|AAA d/c/|
BB/c/ AA/B/|GGG (A/B/)|c/B/A/G/ F/G/A/B/|GGG:|
(B/c/)|d(g/f/) e/d/c/B/|d/c/B/c/ A(B/c/)|d(g/f/) e/d/c/B/|AAA (B/c/)|
d(g/f/) e/d/c/B/|d/c/B/c/ Ac|B/d/c/B/ A/c/B/A/|GGG||
(B/c/)|dddg|ddd B/c/|dd e/d/c/B/|AAA (B/c/)|
dddg|dddc|B/d/c/B/ A/c/B/A/|G/g/f/e/ d/c/B/A/||
X:2
T:Petronella
M:2/4
L:1/8
R:Country Dances
B:Stewart-Robertson – The Athole Collection (1884)
K:F
fc|Ac/A/ Gc/A/|FFF A,/C/|FB,/D/ GF|EG/E/ Cf/c/|
Ac/A/ Gc/A/|FFF A,/C/|FB,/D/ GE|F2F:|
|:fc|Aa/f/ ca/f/|bb/g/ e/c/B/G/|Eg/e/ cb/g/|aa/f/ c/f/c/A/|
Fa/f/ ca/f/|bb/g/ e/c/B/G/|Eg/e/ c/b/g/e/|fff:|]
X:1
T:Dance
M:C
L:1/8
B:Galwey – Old Irish Croonauns (1910, No. 17, p. 6)
N:Ulster compiler Honoria Galwey learned the unnamed tune from
N:“an old lady who played it in the (eighteen)forties.”
Z:AK/Fiddler’s Companion
K:F
cB|A2 BA G2 AG|F2F2F2 GA|BABc dcBA|G2G2G2 cB|]
AcBA GBAG|F2F2F2 GA|BAGF ECDE|F6:|
|:AB|c2c2c3f|c2c2 c3f|c2c2 dcBA|cBAB G2 AB|
c2c2c3f|c2c2c2 fe|dcBA cBAG|F6:|]
X:1
T:Petronella
M:2/4
L:1/8
R:Country Dance
B:Robbins Collection of 200 Jigs, Reels & Country Dances (NY, 1933, No. 140, p. 45)
Z:AK/Fiddler's Companion
K:G
g/d/|Bd'/b/ ad'/b/|.g.g g(B/d/)|.g(c/e/) (.a.g)|fa/f/ dg/d/|
Bd'/b/ ad'/b/|.g.g .g(B/d/)|.g(c/e/) .a.f|.g.g .g:|
|:g/d/|Bb/g/ dd'/b/|c'c'/a/ f/d'/c'/a/|.fa/f/ dc'/a/|bb/g/ d/g/d/b/|
gb/g/ dd'/b/|c'c'/a/ f/d'/c'/a/|fa/f/ d/c'/a/f/|ggg:|]
X:3
T:untitled Donegal tune
T:Petronella
S:Maire/ead ni/ Mhaonaigh
N:also played in key of G in octaves
M:4/4
L:1/8
Z:Paul de Grae
K:D
F2 AF E2 FE|D2 D2 D2 FA|d2 cd e2 d2|cdec ABAG|
F2 AF E2 FE|D2 D2 D2 FA|d2 cd e2 de|1f2 d2 d2 A2:|2f2 d2 d2 B2||
|:Adfd Adfd|g2 gf edcB|Acec Acec|f2 fe dcdB|
Adfd Adfd|g2 gf edcB|Acec Aceg|f2 d2 d4:|]
X:1
T:Patternelly
M:2/4
L:1/8
R:Country Dance
N:Gilchrist ms. (late Georgian?) (from the North of Scotland)
N:Notes with dots before them indicate the beat the feet are to
N:be crossed and recrossed during the dance, not a staccato note.
N:"A pretty country-dance, probably belonging like "The Triumph" to the
N:Regency period, but apparently better known in Scotland than in England,
N:appears in a Scots MS. as "Patternelly" [Petronella?] ("Patronello" in another MS).
N:It was a longways dance, and began with a neat figure by the two top couples,
N:in which the feet were crossed and recrossed in exact time to the notes
N:I have marked in the first two bars. I do not think it has ever been revived, like the "Triumph"."
S:Gilchrist "Old Fiddlers' Tune Books of the Georgian Period" (JEFDSS, vol. 4, No. 1, Dec. 1940, p. 20)
K:F
Of/c/|.Ad/B/ .Gc/A/|.F.F .FA,/C/|FB,/D/|
|1 G>F|E/F/G/E/ CO:||2GF/E/|Fff||etc.
