Rickett's Hornpipe
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This is the stable version, checked on 29 October 2022.
Accuracy | Spot checked |
Depth | Basic |
Readability | Acceptable |
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Rickett's Hornpipe Click on the tune title to see or modify Rickett's Hornpipe's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Browse/:Rickett's Hornpipe | |
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Theme code Index | 1H1H31H 2H754H |
Also known as | Ricket's Hornpipe, New College Hornpipe (1) (The), One Eyed Fiddler, Quadrille de Berthier 3ème partie, Raker's Hornpipe, Sailor's Hornpipe (2), Texarkana Hornpipe, Tomorrow Morning, Yarmouth Hornpipe, Manchester Hornpipe (1), Merthyr Hornpipe |
Composer/Core Source | |
Region | England, Ireland, Canada, United States |
Genre/Style | Contra, Down-East/Maritime, English, Irish, Old-Time |
Meter/Rhythm | Hornpipe/Clog |
Key/Tonic of | D |
Accidental | 2 sharps |
Mode | Ionian (Major) |
Time signature | 2/2 |
History | |
Structure | AABB |
Editor/Compiler | Alexander McGlashan |
Book/Manuscript title | A Collection of Scots Measures |
Tune and/or Page number | |
Year of publication/Date of MS | 1781 |
Artist | |
Title of recording | |
Record label/Catalogue nr. | |
Year recorded | |
Media | |
Score (1) |
Rickett's Hornpipe: Annotations
X:1 T:Danced by Aldridge M:2/4 L:1/8 B:McGlashan - A Collection of Scots Measures (c. 1781, p. 35) N:Earliest appearance in print of Rickett's Hornpipe N:The 3rd measure in McGlashan's collection is garbled, and the N:fourth measure is missing altogether. The abc's below have been N:corrected. The 3rd measure in the collection goes: d/|e/d/c/B/ A/G/e/d/| Z:AK/Fiddler's Companion K:Bb F/G/A/|B/A/B/F/ D/F/B/d/|c/B/A/G/ F/A/c/e/|d/e/f/d/ g/f/e/d/| c/B/A/G/ F/F/G/A/| B/A/B/F/ D/F/B/d/|c/B/A/G/ F/A/c/e/|d/f/d/B/ c/e/c/A/|BBBz:| |:f/d/d/B/ B/d/d/f/|g/e/e/c/ A/c/c/e/|f/d/d/B/ g/e/c/B/|A/B/G/A/ F/e/d/c/| B/A/B/F/ D/F/B/d/|c/B/A/G/ F/A/c/e/|d/f/d/B/ c/e/c/A/|BBBz:|]
X:1 T:Ricket's Hornpipe M:4/4 L:1/8 R:Hornpipe S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 39) S: http://archive.org/details/MEEamesBook N:Eames was perhaps from Philadelphia Z:AK/Fiddler’s Companion K:D dcdA FAdf|edcB Aceg|gfed cBge|dcec Agfe| dcdA FAdf|edcB Aceg|fafd egec|d2d2d2 z2:| |:affd dffa|bgge eggb|afed bged|dcec Agfe| dcdA FAdf|edcB Aceg|fafd egec|d2d2d2z2:|] X:1 T:Rickett's Hornpipe M:C L:1/8 S:Anonymous 1862 American music manuscript collection (p. 3) N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up Z:AK/Fiddler’s Companion K:D (3ABc|dcdA FAdf|edcB A2g2|fgaf gfed|edcB Agfe| dcdA FAdf|edcB A2g2|fgaf bgec|d2d2d2z:| |:f/g/|afaf d2 ga|bgbg e2 fg|afba gfed|edcB Agfe| dcdA FAdf|edcB A2g2|fgaf bgec|d2d2d2z:|] X:1 T:Untitled Hornpipe M:C| L:1/8 R:Hornpipe S:”By Michael B. Shanahan.” N:A version of “Rickett’s Hornpipe” AKA “Yarmouth Hornpipe”, N:“Manchester Hornpipe [1].” S:P.D. Reidy music manuscript collection, London, 1890’s (No. 15) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. N:Reidy told O’Neill that his source, Shanahan was a “celebrated N:violinist”, the son of a piper born in Kilrush, Co. Clare, with a N:great reputation in Kerry and Limerick in the 1860’s. It is unclear N:where Shanahan was in relation to his acquaintance with Reidy N:(i.e. in London or Ireland). F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:D A2|dcdA FAdf|edcB A3g|fgaf bagf|edcB A2 (fe)| dcdA FAdf|edcBA A3g|(3faf df (3ege ce|d2c2d2|| (fg)|afaf d2 (ga)|baba e2 (fg)|afaf bagf|edcB A2 (Bc)| dcBA FAdf|edcB A2g2|(3fgf (df) (3ege (ce)|d2c2d2|| X:111 T:Rickett's Hornpipe B:American Veteran Fifer #111 (1905) C:Donated by Dr. Wm. M. Haffner, Co.A.154th O.V.I. M:C| L:1/8 Q:1/8=320 K:D t=8 |: ((3ABc) | dcdA FAdf | edcB A2 g2 | fgaf gfed | edcB Agfe | dcdA FAdf | edcB A2 g2 | fafd egec | d2d2d2 :| |:fg | afaf d2 ga | bgbg e2 fg | afba gfed | edcB Agfe | dcdA FAdf | edcB A2 g2 | fafd egec | d2d2d2 :| X:1 T:Rickett’s hornpipe M:2/2 L:1/8 B:J.A. Boucher – “Le Repertoire du Violoneux” (1933, No. 63, p. 35) B:“Le Repertoire du Violoneux” (Nouvelle édition 2018 par Jean Duval) [1] K:D (3ABc|dcdA FAdf|edcB A2g2|fgaf gfec|edcB Agfe| dcdA FAdf|edcB A2g2|fafd egec|d2d2d2:| |:fg|agaf dfga|bgbg e2 fg|afba gfec|edcB A2 Bc| dcdA FAdf|edcB A2g2|fafd egec|d2d2d2:| |:(3ABc|dcdA FAdf|ecAc eceg|ffdf geBc|defd A2 Bc| dcdA FAdf|ecAc eceg|ffdf geBc|d2f2d2:| |:ga|bgdg bbgb|afdf abaf|[M:1/2]geBc|[M:2/2]defd A2 ga| Bgdg bbgb|afdf abaf||[M:1/2]geBc|[M:2/2]d2f2d2:|] X:1 T:Rickett's Hornpipe N:From the playing of John Morgan Salyer (1882-1952, Salyersville, Magoffin County, eastern Ky.) N:recorded at home 1941/42 by his sons on a disc player M:C| L:1/8 R:Reel Q:"Quick" D:Berea Sound Archives https://soundarchives.berea.edu/items/show/4254 Z:Transcribed by Andrew Kuntz K:D fg|afaf d2 g2|bgbg e2fg|afaf defd|edcBA2fg| afaf d2 g2|bgbg e3g|fdfd ecec|d2d2d2:|| |:e2|dAFA Adfd|edcB A2[A2e2]| efgf efgf|edcB A2 Bc | dAFA Adfd|edcB A2g2|fdfd ecec|d2d2d2:|| X:1 T:Rickett's Hornpipe M:C| L:1/8 K:D (3ABc|dcdA FAdf|edcB A2g2|fgaf gfed|edcB Agfe| dcdA FAdf|edcB A2g2|fafd egec|d2f2d2:| |:fg|afaf d2ga|bgbg e2fg|afba gfed|edcB Agfe| dcdA FAdf|edcB A2g2|fafd egec|d2f2d2:|
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