Rickett's Hornpipe
X:0 T:Danced by Aldridge M:2/4 L:1/8 B:McGlashan - A Collection of Scots Measures (c. 1781, p. 35) N:Earliest appearance in print of Rickett's Hornpipe N:The 3rd measure in McGlashan's collection is garbled, and the N:fourth measure is missing altogether. The abc's below have been N:corrected. The 3rd measure in the collection goes: d/|e/d/c/B/ A/G/e/d/| Z:AK/Fiddler's Companion K:Bb V:1 clef=treble name="0." [V:1] F/G/A/|B/A/B/F/ D/F/B/d/|c/B/A/G/ F/A/c/e/|d/e/f/d/ g/f/e/d/| c/B/A/G/ F/F/G/A/| B/A/B/F/ D/F/B/d/|c/B/A/G/ F/A/c/e/|d/f/d/B/ c/e/c/A/|BBBz:| |:f/d/d/B/ B/d/d/f/|g/e/e/c/ A/c/c/e/|f/d/d/B/ g/e/c/B/|A/B/G/A/ F/e/d/c/| B/A/B/F/ D/F/B/d/|c/B/A/G/ F/A/c/e/|d/f/d/B/ c/e/c/A/|BBBz:|]
X:1 T:Rickett's Hornpipe S:Micah Hawkins music manuscript collection N:Hawkins (1777-1825) was a NYC tavern owner and musician who wrote the N:first American two-act opera. He was the uncle of painter and N:fiddler William Sidney Mount. M:C L:1/8 R:Hornpipe Z:AK/Fiddler's Companion K:D (dc).d.c (FA).d.f|edcB Aceg|gfed bagf|efge dcBA| (dc).d.c (FA).d.f|edcB Aceg|fafd egec|d2d2d2z2:| |:(af)(fd) (df)(fa)|bgge eggb|.a.f.e.d .b.g.e.d|cdBc Agfe| (dc).d.c (FA).d.f|edcB Aceg|fafd egec|d2d2d2z2:|
X:1 T:Rickett's Hornpipe M:C L:1/8 B:William Sidney Mount music manuscript (mid-19th cent.) N:Mount was a painter and fiddler from Setauket, Long Island Z:AK/Fiddler's Companion K:D (dc).d.c (FA).d.f|edcB Aceg|fafd Aceg|1gfed bagf:|2 edge dcBA|| |:(dc).d.c (FA).d.f|edcB Aceg|fafd egec|d2d2d2z2:| |:(af)(fd) (df)(fa)|bgge eggb|.a.f.e.d. b.g.e.d.|cdBc Agfe!D.C.!:|
X:1 T:Ricket's Hornpipe M:4/4 L:1/8 R:Hornpipe S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 39) S: http://archive.org/details/MEEamesBook N:Eames was perhaps from Philadelphia N:The tune is identical to "Ricketts' Hornpipe" as issued in the early 19th N:century on a single sheet by New York music publisher Edward Riley. Z:AK/Fiddler's Companion K:D V:1 clef=treble name="1." [V:1] dcdA FAdf|edcB Aceg|gfed cBge|dcec Agfe| dcdA FAdf|edcB Aceg|fafd egec|d2d2d2 z2:| |:affd dffa|bgge eggb|afed bged|dcec Agfe| dcdA FAdf|edcB Aceg|fafd egec|d2d2d2z2:|]
X:2 T:Rickett's Hornpipe M:C L:1/8 S:Anonymous 1862 American music manuscript collection (p. 3) N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up Z:AK/Fiddler's Companion K:D V:1 clef=treble name="2." [V:1] (3ABc|dcdA FAdf|edcB A2g2|fgaf gfed|edcB Agfe| dcdA FAdf|edcB A2g2|fgaf bgec|d2d2d2z:| |:f/g/|afaf d2 ga|bgbg e2 fg|afba gfed|edcB Agfe| dcdA FAdf|edcB A2g2|fgaf bgec|d2d2d2z:|]
X:3 T:Untitled Hornpipe M:C| L:1/8 R:Hornpipe S:"By Michael B. Shanahan." N:A version of "Rickett's Hornpipe" AKA "Yarmouth Hornpipe", N:"Manchester Hornpipe [1]." S:P.D. Reidy music manuscript collection, London, 1890's (No. 15) N:"Professor" Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and "Walls N:of Limerick"" ceili dances and wrote a treatise on dancing. N:Reidy told O'Neill that his source, Shanahan was a "celebrated N:violinist"", the son of a piper born in Kilrush, Co. Clare, with a N:great reputation in Kerry and Limerick in the 1860's. It is unclear N:where Shanahan was in relation to his acquaintance with Reidy N:(i.e. in London or Ireland). F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler's Companion K:D V:1 clef=treble name="3." [V:1] A2|dcdA FAdf|edcB A3g|fgaf bagf|edcB A2 (fe)| dcdA FAdf|edcBA A3g|(3faf df (3ege ce|d2c2d2|| (fg)|afaf d2 (ga)|baba e2 (fg)|afaf bagf|edcB A2 (Bc)| dcBA FAdf|edcB A2g2|(3fgf (df) (3ege (ce)|d2c2d2||
X:4 T:Rickett's Hornpipe B:American Veteran Fifer #111 (1905) C:Donated by Dr. Wm. M. Haffner, Co.A.154th O.V.I. M:C| L:1/8 Q:1/8=320 K:D t=8 V:1 clef=treble name="4." [V:1] |: ((3ABc) | dcdA FAdf | edcB A2 g2 | fgaf gfed | edcB Agfe | dcdA FAdf | edcB A2 g2 | fafd egec | d2d2d2 :| |:fg | afaf d2 ga | bgbg e2 fg | afba gfed | edcB Agfe | dcdA FAdf | edcB A2 g2 | fafd egec | d2d2d2 :|
X:5 T:Rickett's hornpipe M:2/2 L:1/8 B:J.A. Boucher - "Le Repertoire du Violoneux" (1933, No. 63, p. 35) B:"Le Repertoire du Violoneux" (Nouvelle edition 2018 par Jean Duval) [1] K:D V:1 clef=treble name="5." [V:1] (3ABc|dcdA FAdf|edcB A2g2|fgaf gfec|edcB Agfe| dcdA FAdf|edcB A2g2|fafd egec|d2d2d2:| |:fg|agaf dfga|bgbg e2 fg|afba gfec|edcB A2 Bc| dcdA FAdf|edcB A2g2|fafd egec|d2d2d2:| |:(3ABc|dcdA FAdf|ecAc eceg|ffdf geBc|defd A2 Bc| dcdA FAdf|ecAc eceg|ffdf geBc|d2f2d2:| |:ga|bgdg bbgb|afdf abaf|[M:1/2]geBc|[M:2/2]defd A2 ga| Bgdg bbgb|afdf abaf||[M:1/2]geBc|[M:2/2]d2f2d2:|]
X:6 T:Rickett's Hornpipe N:From the playing of John Morgan Salyer (1882-1952, Salyersville, Magoffin County, eastern Ky.) N:recorded at home 1941/42 by his sons on a disc player M:C| L:1/8 R:Reel Q:"Quick" D:Berea Sound Archives https://soundarchives.berea.edu/items/show/4254 Z:Transcribed by Andrew Kuntz K:D V:1 clef=treble name="6." [V:1] fg|afaf d2 g2|bgbg e2fg|afaf defd|edcBA2fg| afaf d2 g2|bgbg e3g|fdfd ecec|d2d2d2:|| |:e2|dAFA Adfd|edcB A2[A2e2]| efgf efgf|edcB A2 Bc | dAFA Adfd|edcB A2g2|fdfd ecec|d2d2d2:||
X:7 T:Rickett's Hornpipe M:2/4 L:1/8 S:Warren Smith (Ga.) B:Frank Maloy - Devil's Box (p. 52) K:D V:1 clef=treble name="7." [V:1] f/g/|"D"a/f/a/f/ d/f/g/a/|"G"b/g/b/g/ e/e/f/g/|"D"a/f/b/a/ g/f/e/d/|"A7"e/d/c/B/ A/g/f/e/| "D"d/c/d/A/ F/A/d/f/|"A7"e/d/c/B/ A/f/g/e/|"D"f/a/f/d/ "A7"e/g/f/e/|"D"d/B/A/F/ D:| |:A/c/|"D"d/c/d/A/ F/A/d/f/|"A7"e/d/c/B/ A/f/g/e/|"D"f/a/f/d/ g/f/e/d/|"A7"e/d/c/B/ A/g/f/e/| "D"d/c/d/A/ F/A/d/f/|"A7"e/g/f/e/ A/f/g/f/|"D"f/a/f/d/ "A"e/g/f/e/|"D"d/B/A/F/ D:|
X:8 T:Rickett's Hornpipe M:C| L:1/8 K:D V:1 clef=treble name="8." [V:1] (3ABc|dcdA FAdf|edcB A2g2|fgaf gfed|edcB Agfe| dcdA FAdf|edcB A2g2|fafd egec|d2f2d2:| |:fg|afaf d2ga|bgbg e2fg|afba gfed|edcB Agfe| dcdA FAdf|edcB A2g2|fafd egec|d2f2d2:|