White Cockade (1) (The)

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White Cockade (1) (The)  Click on the tune title to see or modify White Cockade (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Browse/:White Cockade (1) (The)
 Theme code Index    3332 1331H
 Also known as    Cnota Bán (An), Duke of Buccleugh's Tune (The), Ranting Highlander (The), Ranting Highlandman (The), Fiddler's Morris, Highland Laddie (3) (The), Lad with the White Cockade (The), Rose in the Garden (The), White Cock Head, O an ye were dead guidman, Highland lad my love was born (A), Wind Blew the Bonnie Lassie’s Plaidie Away (The), Reel des Laurentides
 Composer/Core Source    
 Region    England, Scotland, Ireland, Canada, United States
 Genre/Style    Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Old-Time, Scottish
 Meter/Rhythm    Country Dance, March/Marche, Reel (single/double)
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4, 2/4, 2/2
 History    
 Structure    AABB
 Editor/Compiler    James Aird
 Book/Manuscript title    Selection of Scotch English Irish and Foreign Airs vol. 1
 Tune and/or Page number    No. 1
 Year of publication/Date of MS    1782
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



X:1 T:White Cockade [1] M:C| L:1/8 R:March S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91) Z:AK/Fiddler’s Companion K:G GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA| B2 Bc B2 AG|A2B2 g4|a2 f2 g2e2|d2B2 B3:| |:Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4| g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||

X:1 T:Second to the White Cockcade S:Thomas Calvert Collection, Kelso, Scotland (1799) Z:Jack Campin May 2001 M:C L:1/8 N:bars 7 and 15 are written |g/f/e/d/ c/B/A/G/| in the book K:G BA|G2B2 dBAB|d2G2 G2Bc|B2G2 G2F2|G2[F2A2] [F2A2]Bc| G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|| GA|B2G2 d2G2|B2ge d2Bc|B2G2 B2AB|c2 A2 [F2A2]BA| G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|]

X:1 T:White Cockade [1] M:C L:1/8 Q:"Allegretto" B:Wilson - Companion to the Ball Room (1816, p. 39) Z:AK/Fiddler's Companion K:G G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:| |:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]

X:1 T:White Cockade [1] (Scotch) M:C L:1/8 Q:"Allegretto" R:Country Dance B:Thomas Wilson - Companion to the Ball Room (1816, p. 54) Z:AK/Fiddler's Companion K:G GA|B2B2 B2 AG|d2B2B2 GA|B2B2B2 AG|B2A2A2 GA| B2B2B2 AG|A2B2 g3a|bagf efge|d2B2B2|| AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA| B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||

X:1 T:White Cockade M:2/4 L:1/8 R:Country Dance Tune S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154) Z:AK/Fiddler’s Companion K:G gf|e/d/c/B/ d/B/A/G/|BB Bg/f/|e/d/c/B/ d/B/A/G/|BA AG/A/| B/G/B/d/ c/B/A/G/|AB !fermata!ga|b/a/g/f/ e/f/g/e/|d/B/A/B/ A:| |:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA G/A/| B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|]

X:1 T:White Cockade, The M:2/4 L:1/8 Q:"Allegro Spiritoso" R:Country Dance B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 199, p. 104) Z:AK/Fiddler’s Companion K:G (G/A/)|.B.B.B (A/G/)|.B.B.B .g|.d.B (c/B/)(A/G/)|(BA).A (G/A/)| .B.B (c/B/)(A/G/)|.B.d.g (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B || (B/c/)|.d.B.g (B/c/)|{e}(d/^c/)(c/d/) .d(B/=c/)|.d.B.g (f/g/)|.a.A.A (G/A/)| .B.B (c/B/)(A/G/)|.B.d. g(g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B (B/c/)| (dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)| .B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B||

X:1 T:White Cockade [1], The M:C| L:1/8 Q:"Spiritoso" R:Country Dance B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9) Z:AK/Fiddler’s Companion K:G GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA| .B2 Bd cBAG|(Bd)(ef) gfga|(ba)gf (agf)e|d2B2B2|| Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)| .B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||

X:1 T:White Cockade [1], The M:2/4 L:1/16 R:Pipe March B:William Ross - Ross's Collection of Pipe Music (1869, No. 107, p. 99) Z:AK/Fiddler's Companion K:G e2|G3B B2AB|G3B B>Bg/|G3B B2AG|B2A2 A2GA| B<Bed B2AG|AGAB g2fg|a2gf efge|d3B BB3:| |:c2|d3B g3B|dedB d3e|e2dB g2fg|a3A AGAB| BBed B2AG|AGAB g2fg|a2gf efge|d2B2 BB2:|]

X:1 T:White Cockade, The, with Variations M:C L:1/8 R:Hornpipe B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 30, p. 10) B: http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=9&z=106.4282%2C299.3808%2C3343.425%2C1294.4477 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:G GA|B2 Bd cBAB|GBBA Bgge|dBGB cBAG|FGAF DFAF| GBdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2|| Bc|d2B2g2B2|dcde d2 ge|dcBc defg|agab a2 GA| BcdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2|| P:1st Variation DGBG DGBG|DGBG cBAG|DGBG DGBG|ABcB cBAG| DGBG DGBG|DGBd g2a2|bagf ag/f/ gf/e/ |d2B2B2|| P:2nd Variation ge|dBGB dgfg|bgfg dcBc|dBGB defg|agab agfe| dBGB dgfg|bgfg dcBd|c'bc'b c'bag|f2d2d2|| P:3rd Variation ge|dB BB/B/ GG GG/G/|DB BB/B/ GB BB/B/|dB BB/B/ GBGB|AcBd cBAg| dB BB/B/ GG GG/G/|DB BB/B/ GBdg|bagf ag/f/ gf/e/|d2B2B2||

X:3 T:White Cockade, The L:1/8 M:C| R:Country Dance B:Stewart-Robertson – The Athole Collection (1884) Z:AK/Fiddler’s Companion K:G GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA| B2 Bd cBAG|A2B2g3a|bagf efge|d2B2B2:| |:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA| B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|]

X:1 T:White Cockade [1] M:2/4 L:1/8 R:Air and Reel N:”As played by David R. Hamblon” (1809-1893, originally from Cumberland N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon. N:The key signature in the MS is (inexplicably) E Major. Z:AK/Fiddler’s Companion K:G G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/| BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:| |:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2| BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|]